A More Complete Explanation

I have touched on the Scotland trip in a previous post, if you care to search for it. Categorized as Music I’m involved in I think, or cancer. But I left out the important details, the why of why it happened. So this is the thing:

A few years ago, my PSA level was rising alarmingly. PSA stands for Prostate Specific Antigens and is a marker for prostate cancer. The PSA level is now a routine part of most blood tests for men. A rising PSA level is not good.

More tests followed, and eventually a biopsy of specific spots in my prostate. That resulted in a Gleason score, which I don’t remember and don’t really understand. All I know is that my Gleason score indicated a high likelihood of cancer.

The next test was a CAT scan of my whole body. I was told that it is very sensitive, and if the cancer has metastasized, i.e. escaped the prostate and invaded the rest of the body, the CAT scan will show it. I had to wait through a weekend for the results, and in the meantime I asked Dr. Google, who told me that the one year survival rate if the cancer has gone into the bones is forty five percent. The five year survival rate is one percent. Gives a person pause, eh.

The following week, with results in, I could breath a sigh of relief. The cancer had not gone into my bones. Treatment of the cancer in my prostate would probably stop it in its tracks, and give me decades more time to enjoy my life.

The doctors recommended three forms of attack – hormone therapy, radiation therapy, and brachytherapy. Prostate cancer feeds on testosterone, so the hormone therapy cuts off the supply. In the old days this was done simply by castration. Doctors don’t want to tell a patient that they are going to cut his balls off, so they call it a bilateral orchiectomy. Nowadays this is accomplished with drugs, specifically an injection of leuprolide acetate, commonly called lupron, into the abdominal cavity.
Radiation therapy, which I liken to sticking your ass in a microwave oven, simply focuses beams of microwaves from several directions at the prostate to kill the cancer cells. It is inconvenient, in that it involved traveling to a major city for the treatment every weekday for several weeks, but painless.
The brachytherapy involves planting radioactive seeds of iodine in the prostate. It requires a general anesthetic, but otherwise is not a big deal. I was given a card to show to the customs people if I ever want to leave the country or board a plane, explaining why I’m slightly radioactive.
Which is not to say that these three treatments, combined, are not a big deal. Testosterone is a very important male hormone. It affects everything, from energy level, mood and depression, to sex drive. The radiation therapy and brachytherapy did a good job of destroying the nerve that allows an erection. So, say good bye not only to sex, but to the sex drive too. That’s something I really miss.
I’m now taking four large pills daily each containing 240mg of Apalutamid (trade named Erleada). This is a new drug, not yet approved by the B.C. Medical plan, and would cost $4000/month if it weren’t supplied by big pharma “on compassionate grounds”, meaning, if I want to be cynical, that they need more test subjects. It’s a testosterone blocker, negating any action by whatever testosterone I have left. So far the only side effects seem to be that I’ve lost all my body hair and been returned to a pre-pubescent condition.

But what does all of this have to do with the Scotland trip? Sit back and relax, I’m getting to it.

Some time after I had all these treatments, my cancer seemed to be under control but the science marches on and a new kind of radiation scan was in development. My oncologist signed me up and sent me to Vancouver to be part of the trial, to get another radioactive injection and enjoy another slide into the big spinning doughnut for a PET scan. I was told that it would be a couple of weeks before I learned the results, but my oncologist phoned me after two days. He didn’t sound happy. The new test showed cancer in the bones of my pelvis, and in my lymph glands all the way up into my neck. To me this sounded like a death sentence.

This is a still from my PET scan looking at a cross section of my pelvis, in case you don’t want to take the time to watch the video. That bright yellow dot just to the right of the center is cancer. It’s in the bone of my pelvis, which is not a place I want to see it.

I told my wife, Ruth, about these results. We spent an evening cuddling and processing. That Sunday at the Unitarian fellowship, during a segment of their service called “Joys and Concerns” in which the congregation is encouraged to briefly share events in their lives, I made an announcement: “I’ve had some terrible news. Somebody very close to me, somebody I love, has just been diagnosed with terminal cancer. (pause for effect) And unfortunately it’s me.”

Cue digression cam: I am not a member of the Unitarian Fellowship. In pre-pandemic days I would show up after the services for the potluck snacks and conversation. My wife is very involved with the group, and has served on their board of directors for the past few years. They have provided a great community for her on her arrival in this new town with me.
I am a radical atheist. The Unitarians are the closest thing to a church that I can stand to enter. They are very accepting of all religious and spiritual views, including atheists, and I’ve felt very welcomed there. Many in the congregation describe themselves as “spiritual but not religious”, or agnostic, or even atheist like me. In fact, one of my favourite members was the second woman to be ordained as a minister by the Lutheran church. On the day after her retirement, following decades of work in a hostel comforting the dying and their loved ones, she burned her clerical collar and announced that she didn’t believe any of it.
What Unitarians have in common is that they all want to be good people. They are very involved in social justice issues, inclusion, environmental issues like climate change, and every other progressive cause. They have sponsored a Syrian immigrant. They run a homeless shelter in the basement of the building they own. Their sermons never talk about sin, redemption, or salvation, but more about compassion, caring, forgiveness, and appreciation. I appreciate the support they have provided for my wife, and, inadvertently, for me.

To get on with this story, after the diagnosis, and my bombshell announcement at the Unitarian fellowship, Ruth and I commenced what we describe as our “crying tour”. We visited our closest friends to give them the news. Our second or third stop was to see Rod and Chao, an amazing couple we met at an Immigration Welcome Center appreciation dinner; Ruth and I had volunteered to help a Syrian family adapt to life in Nanaimo. By great good fortune, I happened to be seated beside Rod Szasz, only one of the most amazing people I have ever met, avid historian, mountain climber who has been to the base camp on Everest, local forest ranger and search and rescue volunteer, fluent in Japaneses, entrepreneurial businessman. His Chinese wife, Chao, is equally impressive. The two met in Japan, and their eldest daughter, Akela, is also fluent in Japanese. Shortly before she graduated from high school, she was flown down to Miami to compete in a judo competition, following which she flew to Beijing to compete in a classical voice competition. Since graduation she’s been studying medicine in Scotland. Their youngest daughter, Kipling, has been my fiddle buddy since she was a child.

And now, if you are still with me, we’re getting to the reason Ruth and I ended up in Scotland. Rod and Chao were in their kitchen when I gave them the news about my diagnosis and prognosis. Rod immediately rushed out of the room and came back with a bottle of expensive scotch, telling me to take the bottle home. “I’m taking you to Scotland,” he announced. He had a trip planned for just before Christmas to meet up with Akela.

I told Rod to keep the bottle and I would return to drink it with him, which turned out to be a mistake because he had another friend he felt he needed to share it with. And my initial reaction to the invitation to travel with him was that I couldn’t let him go to that expense.

Kipling, meanwhile, had been sleeping. She came into the kitchen all sleepy eyed, and immediately picked up the mood and the look on her parents faces. “What’s going on?” she asked. So I told her. Now, Kipling is a very reserved young lady. While I’ve spent a bit of time with her, and taken her with me to fiddle sessions in Qualicum Beach, I wasn’t even sure that she liked me, or whether she was just going along with the urging of her parents. But Kipling crumbled when she got my news. She came to me crying and climbed into my lap and hugged me, sobbing. When I got her calmed down, we got out our fiddles and played “Aspen Grove” together, and “Calum’s Road”. That’s when the idea of playing “Calum’s Road” on Calum’s Road entered my head, along with the thought that I would eventually give my wonderful, and expensive, Italian fiddle to Kipling, an acceptable trade for a trip to Scotland.

The next day, Kipling ran in the Terry Fox run for Cancer wearing a sign that read “I’m running for Zale”. Ruth and I made plans to go to Scotland. Ruth had decided to come along, and to pay her own way.

So off the four of us went, Rod and Kipling, me and Ruth. Rod took care of all the bookings, arranging the AirBnB accommodations, the car rentals, the navigation. We met up with Akela just as her exams were finished and set off for what we later called the cemetery and castle tour.

Kipling and I played “Over the Sea to Skye” on the Isle of Skye.

We played “Calum’s Road” on Calum’s Road.

We played “Hut on Staffin Island” in Staffin.

We played “Neil Gough’s Lament for the Death of His Second Wife” in Doran Castle.

We played “Flowers of Edinburgh” in an Edinburgh cemetery.

I played “Da Shlockit Light” outside another ruined castle.

Rod began each day with an early morning run. He lead us through a wonderful selection of old cemeteries, which, on seeing endless tomb stones with the names of parents followed by six or eight children who died at various ages, left me wanting to slap an anti-vaxxer upside the head when I returned to Canada.

Along the way we met some beautiful people and had some interesting conversations.

All in all, it was the trip of a lifetime. I used to think that I didn’t want to see death coming. That I wanted to be walking in the park and foolishly left my protective garbage can lid at home when a meteorite slammed into my skull and killed me instantly. Or, failing that, to simply fall asleep and die quietly in the night, not realizing I was dead until the morning. But I wouldn’t have missed all of this for the world.

You are, no doubt, by now familiar with the Kubler-Ross formulated stages of dying. They begin with denial on receiving the dreaded news; this can’t be happening to me; I’m not really that sick; I feel fine. Then progress to anger; This isn’t fair; I don’t deserve this. And then bargaining; Okay, it’s not too late; I’ll clean up my life style and eat healthy, or accept Jesus or somebody else into my heart. Then the penultimate, depression; Why bother getting out of bed; I’m going to die anyway. And then finally acceptance. Death happens to everybody. It’s just my turn. I’ll just try to make the most of the time I have left.

I’ve always believed that the first four stages are a waste of emotional energy. Far better to simply vault over them to acceptance. Of course that is easier said than done when dealing with emotions. But that is what I do, as much as I can. If I have to die, experiencing the Scotland trip made it worth it. That and the loving support of my wife and friends.

Anticlimax: As you may have guessed, my reaction to the news that the cancer had metastasized into my bones turned out to be an overreaction. After a consultation with my oncologist, I’ve learned that, with advances in treatment, prostate cancer is quickly becoming a chronic disease, rather than a fatal one. He insists that I’m going to die eventually, but of something else, possibly old age. My PSA numbers, thanks to the apalutamide, are down into the low decimals, which means that the cancer is not active. I feel a bit foolish for making such a fuss. On the other hand, it’s been worth it just to experience the reaction from friends and family. I have spent most of my life feeling foolish, so I guess I can live with this.

Passing the Torch

A couple of years pre-pandemic, I was yearning for the good old days of my university life, back when coffee shops and folk music was the thing. I told my wife, Ruth, that I wanted to find a space and start up a coffee shop that could have open mike nights once a week. Ruth, ever the moderating influence on my enthusiasms, suggested that this would be a big time and money investment and might not be the fantasy I want to live. So we came up with an alternative.

Our first poster/announcement.

Wellington Community Hall is just a short block from our home. It’s a classic building, rich in heritage, and still in constant use for seniors dance classes and Brownie meetings. We came up with the idea of putting on an open mike night there once a month, just to find out whether I enjoyed it as much as I enjoyed the fantasy. Thus was the Stage Fright Cafe born.

The name was suggested by my friend Timothy Von Boetticher, a brilliant song writer and musician with a history of running open mike nights, plus a family of talented wife and children. Among my favourite people.

The hall reeks of history, but it’s a very stark environment for a coffee house. It did have a great sound system and plenty of small tables and chairs. I made red table clothes. We brought in our own lighting – my Chinese photography lights, a couple of work lights, electric tealights for the tables, and a rope light to add some colour. We decided not to use the stage. I wanted a more intimate relationship between the performers and the audience, so our performance area was set up in front of the stage at floor level, defined by two long tables where instruments cases could be left. The transformation was pure magic. But the best part was the support from friends and neighbours.

Two of our regulars in performance.

Dave Merchie, who was in charge of the hall at the time, volunteered to run the sound system. Kerwood and Jess, who had owned a restaurant in Vancouver before coming to Nanaimo, volunteered to take charge of the drinks and snack food. I explained to our first audience that they had returned to 1962, and the coffee would be ten cents a cup. The snack food was similarly low priced – banana bread with blue berries that I baked the night before the event, cookies baked by Ruth, fresh popcorn, a veggie platter, hotdogs, and grilled cheese sandwiches. Nothing costing more than a buck or two.

My famous blue berry and banana bread. An open mic night favourite.

These three wonderful people, Dave, Kerwood, Jess, plus Ruth and myself, became the operational crew. Ruth took charge of the performer list and the cash. The hall gave us a great deal, since we were contributing to their mandate of community involvement. So the rent was eighty bucks a night, but only if the donations at the door and the food money covered more than our expenses for food.

The next thing we needed was performers. The concept, as the name implies, was to provide a venue for amateurs, and my old friend J. Douglas Dodd had students in need of microphone and audience experience. I didn’t really appreciate how terrified some of his students were at the very thought of standing alone before strangers and performing, but it was delightful to see the change as they settled down and became more comfortable.

Nico Rhodes doing piano back up for one of Doug’s students.

We attracted a few pros from my pool of friends, most memorably Rick Scott and Nico Rhodes, Joelle Rabu, Timothy Von Boetticher himself (who used the occasions to try out new songs), the entire Von Boetticher family band, and Sue Averill who runs another open mike night with a different agenda. But most of the performers were seasoned amateurs who had played for years in their dens and living rooms without ever showing off what they could do. It was an eclectic mix, and amazing, joyful fun. We ended up with both regular audience members, and regular performers, with delightful surprises each session.

Tom and Jerry in performance, followed by Barry Farrell, one of our regulars.
Zale the MC. My job was to do stand up while performers prepared. I tell stories.

But… after a couple of years of setting up and breaking down and acting as the M.C., I was frankly getting tired. I think our regular audience, for whom I am eternally grateful, were also getting a bit tired. Many of Doug’s students aged out of classes, some moved on to professional training and careers. The pandemic gave me an excuse to shut the show down and take a break. I was not sure whether I would ever want to do it again. Been there done that, eh.

But the, last week, Hank Ketler, one of our regular and much admired performers, he of the mellow voice and competent guitar, called me to say that there was a new musician in town who wants to get involved in the scene here. He brought Linda Lavender (real name. Really!) over to meet me. She is just a delight, both in and as a singer song writer. So plans are in the works for another revival. It’s too early, with Omicron filling hospital beds and spreading, but I’m confident that the show will go on, eventually.

Linda Lavender with my kind of music. Give her a listen, eh.

I told Linda and Hank that I would support their efforts, but I don’t have it in me to be the main man any more. Too many other interests taking my time*. But they have agreed to take charge of the management. Ruth and I will set things up, at least for the first couple of shows. We’ll see how things go.

Linda and I are also talking about teaming up to rehearse her new songs and fine tune my fiddle backup. It’s exciting. All of this is exciting.

*So, what is it that is filling my spare time these days? What could be pulling me away from community involvement and public music? Well… here’s a short list of current projects. I’m going to take another run at making bodhran rims. I made two of the Irish drums before I went to China, but I didn’t manage to get the traditional steamed yew rims perfectly round, resulting in slack rawhide goatskin heads. Since returning home, I’ve taken two cracks at making good rims, with no real success. So that’s on my mind. Then there’s my plans to make a wooden pasta rolling machine. The shiny stainless one I bought on line is simply too small and inadequate. Next I’m going to make a fretless gourd banjo. I’ve got the gourd seeds in potting soil right now, and by the end of the summer I’m hoping to have a selection of gourds. But lately I’ve been killing myself down the Sketchup rabbit hole, staying up until five in the morning to learn that challenging CAD program, an effort that has my neck and shoulders in pain. Of course there’s still the fiddle group once a week in Qualicum Beach, Oceanside Jammers, and zoom sessions with my friend Dave Clement in Winnipeg every Monday to work up new Celtic tunes. I don’t lack for interests and excitement.

My young fiddle buddy, Kipling, in the center of the Ocean Side Jammers session. I think my next post may be about our Scotland trip. She’s now the owner of my wonderful Mauritzio Tadioli violin.

And there’s more, but that’s for my next installment.

Castle/Cemetery/Fiddle Tunes tour of Scotland

I have been playing “Calum’s Road” with my young friend, Kipling, since she was seven years old. She’s twelve now. Her older sister is in medical school in St. Andrews. Her father suggested I go with him to Scotland. So Ruth and I went with Rod and Kipling to join Akela, Kipling’s older sister, and travel to Calum’s Road to play “Calum’s Road”.
I didn’t realize how famous this tune is until I talked to a Scots lass in an hostello in Milan. She told me they play the tune at all the dances now. Calum was a fellow who wanted a road to his village. When the county wouldn’t pay for it, he got some books on engineering, a pick and a shovel, and went to work. Years later the road is behind us here and inspired this tune.

So here we are. Playing Calum’s Road on “Calum’s Road

Then I realized that we were staying in Staffin, with Staffin Island just off the coast. So of course we had to play “Hut on Staffin Island”.

And of course if you’re going to the Isle of Skye you need to play “Over the Sea to Sky”

And for good measure, here’s “Neil Gow’s Lament for the Death of His Second Wife”

And of course, once we got back to Edinburgh, it had to be “Flowers of Edinburgh” I didn’t realize how cold Kipling was until just now when I looked at the video.

All in all an amazing trip.

What’s Happening on Planet Zale

My last couple of posts have been about having cancer, and the side effects of the hormone therapy. Since this is my homepage on my browser, every time I fire up this computer I’ve been greeted with the headline: I’m Growing Tits Now. That’s getting to be a drag. Not that I’m likely to forget the fact.

While having cancer is always on my mind, like the background hum from the big bang that we hear as radio static, it’s far from the most important fact of my life. I shall make a list:

  1. Today I bought a new router bit. I’m putting a chair back together for Sadie, my former sister in law. It fell apart because somebody left it out in the weather. I’ve glued the seat back together, but don’t trust it to not crack at the glue joints. That seat was originally built in the factory from nice blocks of oak, with four parallel surfaces, which made gluing it easy. Now that it’s contoured, it’s difficult to clamp without having gaps at the joints. I bought the router bit to let me inlay a piece of hardwood on the underside. That should guarantee that it won’t split. I’ll spare you the details, but this turned out to be more complicated than I hoped, and it still isn’t completed.
  2. We had had another Stagefright Cafe open mic night at Wellington Hall this week. Ruth and I put that together once a month, recreating a 1965 coffee house. Every event has been different and great fun. We sell coffee at ten cents a cup. I bake banana bread and Ruth bakes chocolate chip cookies.
  3. We replaced the roof on my workshop shed this week. It was leaking slightly, and that kind of thing has to be stopped. So we bought corrugated steel sheets and covered it. Ruth did the work on the roof. I did the cutting and handing stuff up to her.
  4. I had a rehearsal with the new Vacant Lot Band. The name is reclaimed from my jug band in the sixties. Great rehearsal. I’m excited about getting a group going again.
  5. The rehearsal was followed by a drive to Qualicum Beach to play with the Oceanside Jammers, my fiddle group.
  6. I’m getting excited about the trip to Scotland. That happens this coming Thursday and will keep us away until December 26.

All in all, there’s a lot going on in my life. Each item on the list above deserves more details and pictures. Maybe later. For now, this gets rid of the headline that I didn’t like.

Wellington Hall Open Mic Night

Here’s my latest attempt to bloom where I’m planted.  I’ve been organizing an open mic night at Wellington Hall in Nanaimo.And wonder of wonders, this wordpress is finally starting to add pictures again, after refusing to for months.  That’s great.

Hey, the open mic night is going to be great fun.  Come and perform.  Come and be an audience.  Come and eat grilled cheese sandwiches and homemade banana bread with ice cream.  We’ll have a good time and if this seems to be appreciated, maybe we can make it a regular event.

We would start it a bit earlier, but that hall is infested with Brownies until 7:30.

The LaoWise Getting More Gigs

Ruth and I perform as the LaoWise, which is a pun on the Chinese word for foreigner, “Lao Wai”.  Of course the Chinese do not add an “s” to pluralized a word,  “Lao” means old or venerable.  So we’re assuming that LaoWise means “venerable and wise”.

Anyway, to get to the point, we performed once again this year at the combination Robbie Burns Day/Chinese New Year celebration, our third such performance.  This is always great wacky fun, with haggis won tons and a lion sword dance.  We did a three Chinese song set before inviting my young friend Kipling, eight years old, on stage to play a Scots jig with me on the violin. As a finale we were joined on stage by an accordionist from China, a young pipa player, and a singer who joined Ruth in singing Auld Lange Syne in Chinese and English while I played the erhu.

A couple of weeks later we did a performance at Aspen Grove school, at the invitation of the music teacher who provided these photographs and testimonial.

027 LaoWise scaled LaoWise scaled2Testimonial:
Laowise is a performance/education experience I would recommend to anybody. Ruth and Zale really know how to put on an entertaining show for kids while also giving a real sense of what life is like for children in China. Their many years of experience living there learning the language from scratch, like children, makes them a valuable resource. Their upbeat songs and audience participation style keep kids engaged. I especially liked their use of traditional Chinese instruments to accompany themselves and provide atmosphere. If you engage them for your next cultural event at school or even a birthday party, you won’t be sorry!
– Cathryn Gunn, Music Teacher, Aspen Grove School, Nanaimo

More recently we did a forty minute set for the Retired Provincial Employees Association.  We talked about our experiences in China, reading Chinese characters, how Chinese children learn language, all with Chinese songs and stories.

I don’t think we’ll ever hit prime time as performers, but we do get a great reaction to the shows we put on, and are often invited back.  This was our second time for the Retired Provincial Employees Association.

Ear Worms, Nostalgia and Nonsense or Why I Love the Internet

Ruth and I are digging out the basement under our home.  Every morning, as I work, I seem to be afflicted with a new and unpredictable ear worm, a melody from my past that plays over and over until I consciously choose another tune to drown it out.

As I said, these are unpredictable.  Most are stupid. Snatches of songs I should have forgotten.  The other morning it was a couple of lines my father used to sing as we rode in his car to church. “While the organ peeled potatoes and the choir rendered lard, someone lit the church on fire.  Holy smoke the preacher shouted as his wig flew in the air.  And his head resembled heaven for there was no parting there.”  This got me curious enough to Google the lines and come up with this:

Turns out dad had both the words and melody wrong, which isn’t surprising.  What impresses me about this song, recorded in 1928, is how many of the jokes are probably inaccessible to the youth of today.  Do millennials know what it means to render lard, or that songs also used to be rendered? I suddenly feel old.

But how wonderful that the Internet can give me this music and these words, which my long departed father would have been at a total loss to supply.  Just one more reason why I love the Internet.

The other day we were in a grocery store and I happened to see cream of tartar on a shelf.  What the heck is “cream of tartar”.  I knew it was a thing, and had something to do with cooking.  But beyond that, not a clue.  So out came the smart phone, up with Google again, and there it is. Tartaric acid, a by product of wine making, used to stabilize eggs when whipping them. I’m so happy to have lived long enough to have answers to every question in my pocket.

The Little Red Hen Wants a Rooster, Plus the Fiddle Workshop with Rodney Miller

I’m not sure why I find this so amusing.  Maybe because, at my age, anything requesting that I become intimate with it is kind of… sweet.

Okay, perhaps that’s a bit kinky.  Here’s a couple of videos of Rodney Miller demonstrating the two fiddle tunes he taught us at last week’s workshop, hosted by Joyce and John Beaton in Qualicum Beach.
First up is the Blue Jig.

Followed by Trip to Dingle.  I’m very fond of this simple tune.

 

 

Oceanside Jammers in Rehearsal

I play with the Oceanside Jammers every Thursday, and whenever they have a performance, which will happen this evening.

Here are three clips of the Jammers in rehearsal.  I’d be playing with them, but I’m behind the camera.  This first one is called “Saltspring”, named after the island where my son and his kids live.  I’m not fond of the melody, but I have to admit that the Jammers give it a lot of life.

This next one is just the tail and of “One Hundred Pipers”.  I like this choon, but I wasn’t fast enough to get the tune that leads into it, “Cock of the North”, and could only catch the tail end of this one.

And here are two of my favourites.  “Senneca Square Dance” followed by “Chattanooga”.

The little girl in the center of the group is named Kipling.  She’s the daughter of friends and I take her to our fiddle sessions now, since she plays as well or better than most of the adults.